A few more new pieces...

As promised, here's a few more of the feltware pieces I've been working on.

Enjoy!

 

This is "Tea Anemone 2". The second in a series I am working on. I have found a way to make the tentacles look more twisty and bendy which I think gives them more character, but at the same time the photograph doesn't really do them any justice. It's hard to get a feel for their movement from one still shot. Otherwise, I'm happy with these pieces. The slate matte glaze makes a perfect neutral to contrast with the colored wool. More colors coming soon!

This work is a set of Nesting Anemone Bowls. I can tell you (as if it's not obvious) there is a LOT of tentacles there. A LOT. I would like to make more of these but we'll see. This particular one I have been working on since October. Yup. October.  I need to figure out how to expedite the anemone-making process for this type of piece. I think everything needs to go bigger but we'll see. The tentacles here are quite thin, which made it very difficult to add the pink tips.

At any rate, I'm having FUN.

Which is the most important part.

I have set aside one day a week for play time. No production allowed! So far it's been amazingly refreshing, but my production for the year really hasn't started yet so we'll see if I can keep it up.

More felt, more glaze tests, more frustrations...

Okay. So this has been a rather long and somewhat frustrating week. I managed to get a glaze firing in, along with some of those tests that I am working on. You'll recall from my last post, the problems I was having with my glaze running too much


I mixed up a couple more tests. Both tests are an altered version of the original matte glaze recipe, G1214Z from Digitalfire. I changed the glaze with my Insight Glaze Calculation Program to allow for a 5% increase in Silica. I thought I'd start with this alteration in my tests because it would help to stiffen the glaze and keep if from running, by slightly bumping up its firing temperature. I'm not very happy with the results. The tile on the left has no opacifier, the tile on the right does. You'll notice that I managed to correct the problem of the glaze running too much, but I think I prefer the matter surface of the original glaze recipe. So back to the testing... I think the next round, I'll work on the levels of EPK. If I increase the EPK and the silica at the same time, I may be able to both fix the running, and push the surface more matte. If I simply remove the extra silica and increase the alumina (EPK), then I'll make the glaze more matte than the original, which I don't think is what I want to do. I have to be careful adding too much more EPK, because that can cause the glaze to crawl. Here's an article about this glaze recipe, for further reading.

Back to my felting, I've started decorating some of the tiles I was working on last week:

The small piece on the right is a test piece I tried. The red stripe was wet-felted in place. This creates a very soft and fuzzy line. For the tile on the left, the red lines were added by needle felting. The two colours of wool do not blend the same and the red is much crisper. Personally, I'm leaning towards the look on the right. So I guess I'm testing more of this as well. (I see lots of testing in my future...)

I found some craftspeople online who are willing to answer my questions about felting so now I've got some brains to pick. The RagingWool has offered to help me (I know! Great name!) and so has LaLaFelt who has some amazing roving in stock!

So I'm off for another week of testing: glazes and felting. Enjoy!

Feltware

I've been hard at work trying a bunch of new glaze recipes for a line of work I'm going to call 'Feltware'.

After trying several cone 6 matte glaze recipes, I've decided to narrow it down to this one that I got off of the Digitalfire website


I'm loving the glaze. It mixes well and goes on very easily. It also has great colour response. I'm currently looking for a dark, slate gray. My first tests gave me this:

The surface is incredible! There is so much depth to the color, it's fantastic! HOWEVER, see those runs? The next few tests made a mess of my kiln shelf. NOT GOOD.

Soooooooo, a few more tests:

The first picture, confusingly marked '2', is the above mentioned glaze recipe with twice the colorants as the original test piece. I was hoping that if the glaze was darker, I could apply it thinner and get the effect I was looking for. Aparently, I was wrong. (surprise, surprise!) The glaze has a distinctly green tinge to it. The second picture is that original recipe, from the first test above. I wanted to see if I could repeat the results. The answer is sort of. Oh boy. More testing in my future...

As you can see, I still have the problem of the running, and in defense of the glaze, I AM overfiring it by about a cone.

Soooo, back to the testing. I can increase the alumina in the glaze to help with the running but that will also make the glaze more matte, which is not what I want. If I want to keep the current matteness then I could increase the silica along with the alumina which would also raise the firing temp a bit, which would probably help me out anyways, so that's most likely the route I'll go.

As for the feltware, it's coming.
I'm really enjoying felting. I've been working on a series of tiles:

This roving I bought at Romni Wools in Toronto.

This particular colour, eggplant, came in a bag with red and black roving. I LOVE this color. And ordered more along with some complimentary colors from A Childs Dream

These tiles will look very different by the time I'm done with them. I'll just have to be patient and check the mail.